Imovie osx11/3/2023 ![]() The subscription plan costs just $39.99 per year, whilst the perpetual plan provides lifetime access for a one-time payment of $69.99. It’s packed with some powerful tools at a fairer price than other premium editing software. ![]() The latest version of Filmora by Wondershare is a fantastic editing suite for serious beginners and dedicated hobbyists. But as it’s free, there’s certainly no harm in giving it a go. It’s worth noting that the interface can be complicated, and beginners might find this daunting. This means that users only have to make a one-off payment and will get lifetime access to every version of the software. However, one big difference that makes DaVinci Resolve stand ahead of both Final Cut Pro X and Adobe Premiere Pro is that the company behind the software, Blackmagic Design, has said all future versions will be free to existing licence holders. However, if you do want all the bells and whistles and plan on working with stereoscopic 3D sound, up to 120fps, and up to 32K resolution, then DaVinci Resolve Studio will set you back $295, which will pay for itself if you’re a professional. So if you’re happy to settle for 60fps up to 4K, then this will do just fine. What makes it all the more impressive (and appealing) is that so many of its features are included in the free version of the software. It’s called Cross Project Referencing, and thanks to the Project Locking feature (which is the default setting), you don’t have to worry about multiple people editing the same clips. See our Adobe Premiere Pro review for more information.Ĭonsidering it started as a mere colour grading tool, DaVinci Resolve has come a long way since its inception. Then, there’s Productions, the collaborative tool that enables multiple people to work on the same project, at the same time, without duplicating files. Firstly, there’s the new Auto Reframe feature which automatically formats and resizes your video to fit the aspect ratio required when posting or sharing online – without cutting out any of the integral components that make up the shot (such as hands and faces). Speaking of updates, some of the latest additions to the Premiere Pro suite are great for saving time and working with others. Whilst the cost of a monthly subscription can soon build up, users can rest assured they’ll be using the latest version of Premiere Pro, whereas Final Cut Pro X users will need to buy the next version as and when it’s released in order to access the latest updates. To apply the changes, click the Apply button in the Green/Blue Screen controls.As we’ve mentioned already, users have to fork out $20.99 per month for Adobe Premiere Pro, or $52.99 for the whole Adobe Creative Cloud package, which is well worth the money if you’re going to make the most of it. You can also drag the ends to lengthen or shorten it. To reposition the green-screen or blue-screen clip, drag it to a different spot within the clip, or to a different clip. If the frame below the playhead isn’t representative of the rest of the clip, you may need to reposition the playhead and reapply the effect. ![]() The color that iMovie removes is based on the dominant color in the frame at the position of the playhead when you choose Green/Blue Screen from the pop-up menu. In the viewer, the clip shot against the green or blue backdrop has the green or blue removed, and the clip below shows through the areas that were green or blue, creating a composite image. If the video overlay controls aren’t shown, click the Video Overlay Settings button.Ĭlick the pop-up menu on the left and choose Green/Blue Screen. When you see the green Add icon (+), release the mouse button. In the iMovie app on your Mac, select a clip or range in the timeline that you shot against a green or blue backdrop, and drag it above a clip in your project. For more information, see Add audio effects in iMovie on Mac. You can reduce the volume of either clip so that sound from the other clip stands out. The audio from the original clip and the audio from the green-screen or blue-screen clip play simultaneously. Likewise, if the subject of your video contains blue or is wearing blue, you should record in front of a green background. If the subject of your video is green or is wearing green, you should record in front of a blue background. You can also drag the green-screen or blue-screen clip over a solid-color or animated background clip. For example, you could record a friend dancing in front of a green or blue backdrop, and then place that video over a clip showing a starry sky, so that your friend appears to be dancing in the sky. This is called a green-screen or blue-screen effect. You can record video in front of a green or blue backdrop, and then “cut out” the subject and superimpose it over another video clip.
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